Ruby Rich, New Queer Cinema: The Director’s Cut. “Behind her laughter…is fear!” Domestic abuse and transnational feminism in Bollywood remakesįour Hindi remakes of Sleeping with the Enemy comprise a “domestic abuse cycle” alongside the genre of avenging woman films of the 1980s, and have a potential for transnational feminism in these cross-border and cross-industrial representations of domestic abuse.ī. The Puerto Rican successes of Talento de barrio and Broche de oroĪrgument for restructuring relations between film productions/producers, government institutions, and audiences in Puerto Rico. National identity, cultural institutions, and filmmaking in “Paradise”. The cinematic child has long made us question the world in which we live, but the complex, sensual and imaginative child featured in films like Treeless Mountain suggests a revolutionary challenge to capitalism that the Dickensian child-in-danger could never achieve. The construction of liminal space of Big Blue Lake offers a novel way of reading Hong Kong and Hong Kong’s urban cinema.Ĭapitalist childhood in film: modes of critique Unveiling nature and identity in Tsang Tsui-shan’s Big Blue Lake The time and space of alienation in Wong Kar-wai’s Happy Togetherīeyond their tumultuous affair and transnational journey, the origins of the alienation experienced by Wong Kar-Wai’s Hong Kong lovers in Happy Together (1997) can only be fully uncovered through exploring the filmic portrayal of their relationship to the distinct time, space, and socio-cultural history of Buenos Aires. The politics of multi-sensual counter-memory in György Pálfi’s HukkleĪ flat, haptic, sensuous film-text, Hukkle becomes an instructive example of Eastern-European politics of identity and memory. The response by some of Japan's greatest filmmakers to the Hiroshima and Nagasaki bombings in 1945 has been to represent the gradual process of Japan's recovery from trauma and amnesia. Thauk gya paw hee thwi deh thwi / Blood’s Oath to Beautiful Flower -īlood’s Oath, drama of insurgency in a Burmese Pwo Karen FilmĪn auto-ethnographic examination of a Burmese Pwo Karen film, and the context of the ethnic minority film scene that it is a product of.Īmnesiac memory: Hiroshima/Nagasaki in Japanese film Of Joshua Malitsky, Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations. “The revolutionary founding moments of a contra-Grierson tradition” Jai Bhim Comrade: tales of oppression and songs of resistanceĪ review of Anand Patwardhan's epic documentary on Maharashtrian Dalits, their struggles and activism. To work or not to work: it has come down to this for Hong Kong film labor in the age of mainlandization and neoliberalization. To work or not to work: the dilemma of Hong Kong film labor in the age of mainlandization Sounds of Hong Kong cinema: Johnnie To, Milkyway Image,Īcclaimed for his visual style, Hong Kong director Johnnie To also constructs highly distinctive sound tracks, which are examined here along with the distinctive work routines that engender them. Native images: the otherness and affectivity of the digital bodyįilms that combine live-action and animation are usually anchored by human protagonists to whom animated figures play secondary or antagonistic roles. The normativity of 3D: cinematic journeys, “imperial visuality”Īn examination of the emerging formal and stylistic conventions of digital 3D cinema and the ideologically and thematically restricted ways in which real and imaginary worlds are represented within this growing body of films. “From, by, for”: Nairobi’s Slum Film Festival, film festival studies,īy Lindiwe Dovey, Joshua McNamara, and Federico OlivieriĪn ethnographic account of an East African film festival: new potentials for political discourse in African media studies. This article examines the rise of Netflix, its tumultuous battle with Blockbuster, and its role in fundamentally transforming the home entertainment market. Its impact on changing distribution and exhibition patterns 55 contents.ĭigital dreams in a material world: the rise of Netflix and Sure to visit our Classic issues from the past.Ĭlick here for text only version of no.
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